Its importance and operation is discussed in the Sanskrit text Natya Shastra. It is referred to as nadi and tunava in the Rigveda and other Vedic texts of Hinduism. It is an aerophone produced from bamboo, used in Hindustani classical music. A senior leader of Bharatiya Janata Party, Swaraj served as the Minister of External Affairs of India from to she was the second woman to hold the office, after Indira Gandhi.A bansuri is a side blown flute originating from the Indian subcontinent. Bansuri Swaraj Sushma Swaraj ( pronunciation ) (14 February 1953 6 August 2019) was an Indian politician and a former Supreme Court lawyer.
Sushma Swaraj Net worth 6 Crore Indian Rupee.Bansuri Swaraj Wiki. Sushma Swaraj and Swaraj Kaushal has a daughter Bansuri Swariaj. Sushma Swaraj Married to Swaraj Kaushal. She has a brother Gulshan Sharma and sister name is Vadana Sharma. Following is the brief wiki and biography of.Family: Sushma Swaraj father name is Hardev Sharma and her mother name is Shrimati Laxmi Devi.
One end is closed, and few centimeters from the closed end is its blow hole. The bansuri is typically between 30 centimetres (12 in) and 75 centimetres (30 in) in length, and the thickness of a human thumb. The six hole instrument covers two and a half octaves of music. Some modern designs come in ivory, fiberglass and various metals. Just a few hours before her death, she had posted to Twitter.A bansuri is traditionally made from a single hollow shaft of bamboo with six or seven finger holes. On AugSushma Swaraj passed away at the age of 67 and passed away after suffering a massive heart attack.
They had an only child, Bansuri Swaraj, who is a graduate from Oxford University and a barrister from the inner temple.Sushma Swaraj is well known Politician. He was married to Sushma Swaraj in the year 1975 of 13th July who was the ex financial affairs minister in India. He was practising as a criminal lawyer in Delhi. Swaraj Kaushal was born on 12th July 1952 in New Delhi India. The traditional design features no mechanical keys, and the musician creates the notes they want by tapping the various finger holes.
The early medieval Indian texts also refer to it as vaṃśi, while in medieval Indonesian Hindu and Buddhist arts, as well as temple carvings in Java and Bali dated to be from pre-10th century period, this transverse flute has been called wangsi or bangsi. However, the instrument is also common among other traditions such as Shaivism. These legends sometimes use alternate names for this wind instrument, such as the murali. The bansuri is revered as Lord Krishna's divine instrument and is often associated with Krishna's Rasa lila dance. It is intimately linked to the love story of Krishna and Radha.
The instrument is also used in Nepal, under the name Bām̐surī (बाँसुरी). Other regional names of bansuri-style, six to eight play holes, bamboo flutes in India include bansi, eloo, kulal, kulalu, kukhl, lingbufeniam, murali, murli, nadi, nar, pawa, pullankuzhal, pillana grovi, pulangoil, vansi, vasdanda, sipung, and venuvu. A flute player in these medieval texts is called vamsika. A phonetically similar name for the same instrument, in early medieval texts, is the Sanskrit word vaṃśi which is derived from root vaṃśa (Sanskrit: वंश ) meaning bamboo.
Of these, the transverse flute (side blown) appeared only in ancient India, while the fipple flutes are found in all three. According to legends the three birthplaces of flutes are Egypt, Greece, and India. History According to Ardal Powell, flute is a simple instrument found in numerous ancient cultures. In central and south India, a similar innovation is called nagoza or mattiyaan jodi, and Buddhist stupa reliefs in central India, from about the 1st century BCE, depict the single and twinned flute designs.
The flute (Venu or Vamsa) is mentioned in many Hindu texts on music and singing, as complementary to the human sound and Veena (vaani-veena-venu). The flute is discussed as an important musical instrument in the Natya Shastra (~200 BCE to 200 CE), the classic Sanskrit text on music and performance arts. Its size, style, bindings, mounts on ends and playing style in medieval Europe artworks has led scholars, such as Liane Ehlich, a flute scholar at the music school in the University of Lucerne, to state that the bansuri ( venu) migrated from India into the Byzantium Empire by the 10th century and from there on to medieval Europe where it became popular. The early medieval Indian bansuri was, however, influential. It is, however, not clear whether there was any connection between the Indian and Chinese varieties. However, a flute of a somewhat different design is evidenced in ancient China ( dizi) which Powell, quoting Curt Sachs' The History of Musical Instruments, suggests may not have originated in China but evolved from a more ancient Central Asian flute design.
This change in the relevance and style of bansuri is likely, states Nettl, because of the arrival of Islamic rule era on the Indian subcontinent and the West Asian influence on North Indian music. However, beginning in the 15th century, vertical end blowing style are commonly represented. According to Bruno Nettl, a music historian and ethnomusicologist, the ancient surviving sculptures and paintings in the temples and archaeological sites of India predominantly show transverse flutes being played horizontally (with a downward tilt). The flute is also mentioned in various Upanishads and Yoga texts.
Drilling and other methods of hole making are avoided as it is believed they damage the fiber orientation and the splits affects the music quality. They mark the exact positions for the holes, then use hot metal rod skewers of different diameters to burn in the holes. Once ready, the artisans examine the smoothness and straightness and measure the dried hollow tube. The harvested bamboo with a desired diameter is cut, dried and treated with natural oils and resins to strengthen it. These are particularly found in the northeastern (near Assam, Arunachal Pradesh, Meghalaya, Manipur, Mizoram, Nagaland, Sikkim, Tripura) and Western Ghats (near Kerala) states of India where numerous bamboo species grow with internodal lengths greater than 40 centimetres (16 in). These grow abundantly in Himalayan foothills up to about 11,000 feet with high rainfall.
There are two varieties of bansuri: transverse and fipple. Once all the holes have reached their performance range, the bansuri is steeped in natural oils, cleaned, dried and decorated or bound with silk or nylon threads. The wall thickness of the bansuri determines the tone, range and octave tuning. Adjustments to the diameters of various holes is made by the artisans to achieve purity of the musical notes produced. The distance of a finger-hole from the mouth-hole, and the diameter of the finger-hole controls the note it plays.
A flutist is able to perform complex facets of Raga music such as microtonal inflections, ornamentation, and glissando by varying the breath, performing fast and dexterous fingering, and closing/opening the holes with slow, sweeping gestures. For example, in a bansuri where Sa or the tonic is always played by closing the first three holes, is equivalent to C, one can play sheet music by creating a finger notation that corresponds to different notes. In order to play the diatonic scale on a bansuri, one needs to find where the notes lie. Either finger tips or finger pads are used by bansuri players to partially or fully cover the tap holes. Octaves are varied by manipulating one's embouchure and controlling the blowing strength. The 'sa' (on the Indian sargam scale, or equivalent 'do' on the octave) note is obtained by covering the first three holes from the blowing-hole.
Classical musical instruments. ^ a b Suneera Kasliwal (2004). Vedic Index of Names and Subjects.
Kalatattvakosa: A Lexicon of Fundamental Concepts of the Indian Arts. ^ Bettina Bäumer Kapila Vatsyayan (1988). ^ a b c Ashok Damodar Ranade 2006, pp. 284–286.
University Press of America. Early Buddhist Narrative Art: Illustrations of the Life of the Buddha from Central Asia to China, Korea and Japan. Exploring the World of Music: An Introduction to Music from a World Music Perspective.
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